Tag Archives: Nymphaea Shawl Retreat

Nymphaea Retreat registration is OPEN!

Registration is open for the Nymphaea Shawl Retreat! The event is November 9-11 at Quinn Mountain Retreat in the beautiful Columbia River Gorge. It’s a small retreat, so you’ll get lots of attention as you start your Nymphaea Shawl. Register soon, because there are only 16 spots, 8 each for knitters and crocheters.

You can choose to knit or crochet your shawl; my knit version or Laurinda Reddig’s crochet version. We designed these shawls as a collaborative project with Bead Biz.

The retreat fee includes a jumbo skein 150g/645yards of Fierce Fibers Abyss (50/50 merino/silk) in a continuous gradient. Choose your main color: Surf and Sand, Dragonite, Hummingbird, or Tide Pod (clockwise from upper left). You’ll also get 50g of a coordinating color for the contrast bands. And beads from Bead Biz, specially selected by Laurinda and me.

You’ll get your shawl started, and learn different ways to add beads to your knit or crochet, how to change colors, knit or crochet edgings, and blocking, which is essential for lace.

Cost for the retreat is $225, which includes yarn, beads, 2 days of breakfast, lunch, and instruction. But don’t worry; there will be free time for you to explore, too. Register with Recrochetions, link here. If you’ve purchased a Nymphaea kit from Bead Biz, there’s a discount for the retreat. More information at the link too, including lodging options.

I hope you can make it!

Summer knitting reckoning: Knit, or not?

Oh, the siren song of a new project! It’s so easy to be seduced away from the current ones, isn’t it?

I like to have two projects at any given time. One is usually a design project I’m working out, and it stays at home. The other is a simple knit that I can take to social occasions, or traveling. Usually the design project turns into the take-along knit, because that’s the kind of thing I like to design. Simple but elegant.

Right now I have five projects on my needles. That’s probably too many, so here are my reasons for not working on them…

This is the Nymphaea shawl sample that I’m knitting for our fall retreat. It’s a simple, rhythmic knit with beads every fourth row. This was great travel knitting on a trip to St. Louis last week; it’s simple enough to knit on planes, even with beads. I was planning to finish it in time to use as a promo for the retreat when registration opens August 1, but clearly it won’t be done by then.

I have a non-gradient sample of it already, so I could continue to knit this gradient version at the retreat, using it to demonstrate techniques. I made a spreadsheet to figure out how to distribute my three different sets of beads (I love spreadsheets!), so it’s all planned out. Check!

This is a shawl that I was knitting for a design proposal. It’s simple and lovely and fun to knit. I was just going to make a swatch, but it was so much fun that I didn’t want to stop knitting it. I got all the way to the bottom edging, where I need the stitch markers. Note my symmetrical marker setup. This, plus the aforementioned spreadsheet, probably tells you a lot about the way I think! This design didn’t get chosen, which means I don’t need to finish it right now. Check!

This is the beginning of a white linen top that I’m making up as I go. I want it to have a lace pattern at the hem, a split back, and otherwise be a pretty basic T shape. But honestly, I don’t know if I have the time or inclination to actually knit an entire top in fingering weight linen right now. I don’t think it will be finished for this season, so I’m declaring it a backup project…for next year. Check!

The blue/brown shawl I was knitting in Scotland? It’s in permanent time out. I didn’t like how the design was turning out, but I’ve frogged this single ply yarn twice and it is definitely looking a little ragged. I’m going to take some of those ideas and re-work them with the yarn I bought from Ginger Twist Studio in Edinburgh.

I ordered the gray to go with the blue; the mint was too exciting for me. It’s not here yet, so I don’t have to think about it for a bit. Check!

This is what I’m working on right now. It’s a fall/winter cowl in Knit Circus Ringmaster Panoramic Gradient, 150g. The color is Fig and Prosciutto. The yarn is round and bouncy and fun to knit. I was about a third of the way through when I decided it needed a little something more than what it was, so I ripped it back down and am enjoying the yarn just as much the second time. It won’t take long to finish, and it’s a great multi-tasking knit.

So really, it looks like I have ONE project that I’m actually working on. And several (Nymphaea, linen top, miscellaneous shawl) that I can work on at my leisure. See? I’m a monogamous knitter, whether intentionally or not. There are a few other design ideas knocking around in my head, too, and I’ll pick one up as my thinking project at home, while one of these other projects turns into the mindless project.

What’s on your needles? How many projects are you actively working on? Helpful knitting cats wanna know! Speaking of which…

We’ve added this little guy to our household. He’s two years old, and he’s charming. His shelter name was Gerkin, but we think he’s going to be named Yadi, for Yadier Molina, the St. Louis Cardinals catcher. We have had several baseball-themed cat names, including Mookie (Wilson) and Jess (Jesse Orosco). We adopted Yadi from Purringtons Cat Lounge, alma mater of Biscuit, Gator, and Mis Mis.

He has a tiny white spot on his chest, and a tinier one on his belly that we didn’t know about until after he came home.

Biscuit is occasionally hissing at him, but mostly getting along. This picture is from introduction day, which was Day 3 in our house. Much calmer than the introduction to Gator (son’s cat who was visiting for 2 months). Maybe she thinks Tyler is going to come take this one away, too?

Now to see if Yadi is ok with yarn. My studio door stays shut while I figure this out!

Lace, blocking, SSK

I always say that blocking is magic. Especially with lace. But even then, I’m always astonished at the transformation.

Here’s my Nymphaea shawl, right off the needles, no blocking, no weaving in the ends. It’s pretty small, 48 inches across the top eyelet edge, 20 inches at the wide end, not including the lace edging in either measurement.

I wet blocked it; it pinned out to be 60 inches across the top eyelet edge, and 30 inches across the wide end, just above the lace edging. Where it was once thick and chunky, it’s now ethereally and diaphanously lovely. It’s almost as big as the sample I knit last fall with the mini skein gradient kit, just nine repeats instead of ten.

Zigzags 4 evah

Lacy border, this time with beads

I knit this in Bumblebirch Heartwood, 75/25 superwash merino/nylon. The colors are Atlantic and Hellebore, the same colors in my Tumbling Leaves, but reversed. I love it, and I love the beads, too. Depending on how you look at them, they’re blue, or green. Perfect.

I’m going to knit one more of these, a sample with a Fierce Fibers 650 yard continuous gradient, and a semisolid contrast color. This is in preparation for our Fall Shawl Retreat in November. Registration opens August 1, and the price will include yarn and beads for a knit or crochet version of Nymphaea.

While knitting this shawl, I started thinking about my personal rules for SSK. When I first learned SSK, I did them conventionally, slipping both stitches as if to knit. The result is a left leaning decrease, exactly the same as SKP: Slip one (knitwise), knit one, pass slip stitch over. The passed stitch could sometimes be stretched out and unsightly; Barbara Walker invented the SSK as an improvement on the SKP.

Eventually, Elizabeth Zimmermann figured out that slipping the second stitch purlwise instead of knitwise made this decrease lie flatter, and mirror the right leaning K2tog better. It’s less zigzaggy. I learned this from her daughter Meg Swansen in a class oh so long ago, and adopted it as my go-to SSK. For me, it’s quicker to execute (don’t have to pull left needle out of the second slipped stitch before ktbl).

But! When I was designing my Meander Cowl, I noticed that this SSK looked wide and bumpy when it met up with a YO on its left side. It’s because the right leg of the stitch shows a bit more prominently behind the left leaning stitch on top. Subtle, yes, but there.

So, my personal SSK rule: Slip the second stitch as if to purl when working stockinette. But if there’s a YO to the left of the SSK, slip the second stitch as if to knit. Try them both, if you like. You’re the boss of your knitting; as long as you get the result you want, you’re doing it right! Here’s a video on the whole thing.

How do you SSK?

Madrona wrap up, fall shawl retreat coming

It’s been a wildly knitterly month, and I’m just now coming up for air. Madrona Fiber Arts Festival, Rose City Yarn Crawl, Lantern Moon Retreat, and a side trip to Skamania in between, whew!

Back to the beginning: Madrona!

Lovely as usual. I took one class and taught three.

Above, my swatch from Tuck, Twist, and Roll with Candace Eisner Strick. Lots of fun bits to add to dress up your knitting. I especially liked the twisted cast on, a little different than the one I’ve used before.

I taught a class with my Athena Entrelac Cowl, and mini classes on sassy novelty stitches and blocking. I love designing knits that are relaxing and zen to knit, with just enough excitement to keep your interest. Dressing up knits is fun!

But Madrona is more than classes, much as I love them. I saw glass artist Carol Milne in the Rotunda, and she was finger knitting with wax loops, the first step in her knitted glass pieces. I saw how she first wrapped the wax around a knitting needle to form the loops, then looped them together to form knitted fabric. From there it’s cast in plaster, wax melted, glass poured, and then broken out. It’s quite a process, but the resulting work is so beautiful.

I was really looking forward to picking up my new project bag from ChickenBootsUSA. This size, the Double Double, is great for a 2 cake project, and I love the Blue Kitty fabric. The clear bottom means I can tell which project is in the bag (I’m a big bag swapper). The interior pocket keeps my notions separate from the knitting. Perfect. This is my fourth, but probably not last, Chicken Boots bag.

I got to visit my Nymphaea Shawl at the Bead Biz booth. I designed this for Bead Biz last year. Laurinda Reddig designed a crochet Nymphaea at the same time.

Side note: Laurinda and I are teaming up for a Nymphaea Fall Retreat, Nov. 9-11 in the Columbia River Gorge. Come knit or crochet your own beaded shawl with us! Details at this link.

Back to Madrona, also very striking in the market: Tammy Burke’s scarf using planned pooling. What a cool thing to do with a variegated yarn! Briefly, you make a swatch to see how many stitches you get from each color in your repeat, and then plug the numbers into this planned pooling website. Play around with it and figure out how many stitches to cast on to make your colors pool into an interesting pattern. Tammy’s scarf is crocheted, but you can also do this with knitting. We’ve been having an interesting discussion via Instagram. I love the connections made at Madrona, and how they carry through during the year.

Someday (hopefully next year) I want to take a class from Galina Khmeleva, Orenburg Lace master. She is both funny and wise.

Kate Larson was one of our speakers, and she shared her journey of art, fiber, and farming. She shared some of her Border Leicester locks with me; they just want to jump into being yarn!

We had a grand time! I love dressing for Madrona, too. Having the right things to wear with your knits is important. And no, I’m not taller than Franklin Habit, but I was trying to capture his legs. Extra legs. (He brought them to show off some new leggings he designed for Skacel.) I do love his sartorial sensibility, too.

OK, back to my knitting. More blogging soon. Have you been to any knitting events lately?