By Hand Serial: From Portland to Portland (review)

I’ve been savoring a new book series, By Hand. This new venture features maker communities around the country.

Author Andrea Hungerford writes:

In this day and age, many of us are searching for community–a sense of belonging, a feeling of unity, a desire to share our passions with others. As a sense of community becomes ever more elusive, we look for ways to build our own. A community of makers–those who find joy in creating with their hands, minds, and hearts–gives us a chance to share and celebrate our ideas and passions.

Thus we have “making communities”–areas areound the country where makers with a common ethos work and, in turn, are inspired by each other–and we are “making communities,” even where physical proximity isn’t possible, by sharing our stories and journeys and images with each other.”

I love this concept. Although Andrea has a strong knitting focus, not all the makers featured in the books are fiber artists. The first lookbook focuses on Andrea’s home town of Portland, Oregon, which is my home, too. Some of the featured makers are:

  • Indie dyers Amy Lee Serradell of Canon Hand Dyes and Sarah Kurth of Bumblebirch
  • Yarn companies Woolfolk, Brooklyn Tweed and Shibui Knits
  • Other non-fiber artists including ceramicists JaMpdx (Jenn Gauer and Megan Radick, pastry artist Anna Henrick, and paper artists Tess Darrow and Kara Yanagawa of Eggpress Design and Letterpress. And more!

A visually stunning visit to Timberline Lodge was a non-fiber highlight for me. This whole book felt like a visit with friends, some of whom I have not yet met. The book also includes 3 knitting projects, a fabric project, and a recipe. I’ll be spending more time with these.

Andrea’s second book focuses on the other Portland, Portland and mid-coast Maine. There is so much fiber and textile history in that part of the country, and it is also the home of a resurgence of the industry. I wondered if I would like this book as much as the first Portland book, since I’ve never been to Portland, Maine. This did not disappoint.

The table of contents reads like a who’s who of fiber all-stars; designers that you know and love, and yarn companies that you recognize from your LYS. Hannah Fettig (Knitbot), Clara Parkes, Bristol Ivy; and yarn companies Swan’s Island and Quince and Co. There are instructios for 6 knitting projects, 2 sewing projects, and a family recipe for Cinnamon Swirled Orange Bread. Yum!

Andrea is working on her third book, which will visit Nashville, Tennessee. You know I love Nashville. I am really looking forward to purchasing this issue!

I’d like to thank Hannah Thiessen, whom I met in Nashville at Craft South, for putting me in touch with Andrea Hungerford here in Portland, and thank Andrea for the review copies of By Hand, too. I’d also like to share the fun. Who would like my review copy of Lookbook #2, Portland, Maine? Let me know in the comments. I’ll pick a winner after next Sunday, April 23.

Thanks also to my helpful assistant, Biscuit. She’s been under the weather for the past two weeks; we don’t know what’s going on with her, but she’s had many visits with our favorite vet. Send good thoughts her way?

Disclosure: Andrea Hungerford provided these review copies for me. All opinions are my own. I loved them!

Technique Tuesday, and new yarn

It’s been quiet around here, but things are moving along behind the scenes. Sometimes if I haven’t posted for a bit, I just need a jump start, so here’s an increase that I ran across recently.

If you’ve ever used KFB, knit in the front and back of a stitch, you know it’s an easy way to increase. It’s easy, and great for garter stitch where the bump from the increase doesn’t show. In stockinette, it does show, and you have to decide if that bump is a bug or a feature. But I recently ran across YarnSub’s post on Knit Front Slip Back (KFSB), which avoids the bump, and thought it was worth sharing. You can click the link for pictures and a video, but basically it’s knit in the front of the stitch, go into the back of the stitch as for KFB, but just slip that back of the stitch to the right needle without working it. Voilà!

It does have a directional lean to it, though, so if I wanted paired increases with one leaning the other way, I’d choose my favorite left and right leaning lifted increases. My other favorite paired increases are M1 (make one) increases by working into the back (right leaning) or front (left leaning) of the bar between stitches.

So many ways to get things done! What’s your favorite increase method?

Currently on the needles for a design project, this drop dead gorgeous 600+ yard gradient cake from Fierce Fibers. This color is Saigon Cinnamon, but every time I look at it, I think of Thai iced tea. I’m through the hard thinking on this project, and about to hit cruise control. Ahhhhhh. It’s a crescent shawl, with conventional lace and a fun new lace motif made with elongated stitches. I’ll work up a 400 yard version, too. Details soon.

What’s on your needles?

Organizing via project bags, Crafty Moms weekend 14.0

Last weekend was the 14th annual Crafty Moms weekend at the coast. It was pretty laid back, with some crafting, and some not! But great to get together with this group that met because our kids were in elementary school together, a long time ago.

I brought several projects to work on, because knitting is both work and play for me. Design projects, books for review, mindless knitting…and I shared some quick lessons in crochet, magic loop, and magic knot.

Lately I’ve been using Binkwaffle bags, one for each project, and then piling the collection into a larger bag or basket for transport around the house or out for travel. I like the smaller Dumpling bags for one or 2 skein projects, but last week I bought one larger Dumpling bag for a 3 skein bulky project (done and ready for secret pattern writing!). It’s too big for most days, but it came in handy this weekend.

These fabric bags are squishable but still have enough body to stand up by themselves while I’m working out of them, and the loop handle is great if you want to walk and knit at the same time. The large grommet for the handle to loop through means no yarn snagging. And the reversible fabrics are fun.

Guess which one Biscuit likes best?

I brought a couple mindless projects, which are great for social knitting. I finished a Kilter hat and started my replacement red Zephyr shawlette; I gave the original red Zephyr to my sister for her birthday. It was better than having her wait for me to knit the eventual replacement; this will be done…someday.

I spent some time reacquainting myself with the brioche stitch that I learned from JC Briar at Madrona. I had planned to knit only a couple repeats of this scarf pattern from the class handout, just to learn how to work the increases and decreases, but it’s really pretty and kind of addictive. I’ll just keep knitting as long as it’s engaging.

Dark side of brioche knitting

I can now tell where I am in the pattern, and don’t have to think so hard about the selvedge edges any more. I know that the increases and decreases only happen on the light side of the fabric, with the light yarn. But I’m operating a lot on instinct rather than reading the pattern, and can’t explain why it works. So I’ll keep going for a while!

My selvedges were wonky for the first few rows, and there’s one dark strand of yarn crossing where it shouldn’t, but otherwise things are looking pretty good. Onward!

The Oregon Coast is one of my favorite places on earth. Watching the waves clears my mind, and walking on the beach makes me look at everything with a different eye. I’ll close with some pretty pictures, so you can feel like you were there, too.


This dog wandered into my picture and made it infinitely better. Serendipity!

A gift from the sea.

Transportation for sea life!

These pelagic gooseneck barnacles caught a ride on this tree. They’re a little dried out, not as spectacular as the ones I saw a couple years ago.

It was stormy when we arrived, so the next few days saw the beach littered with these pyrosomes, pelagic colonial tunicates. Weirdly pretty, but apparently no longer alive.

Wouldn’t this make a great gradient yarn?

Spectacular sunset this evening. #craftymomsweekend

A post shared by Michele Lee Bernstein (@pdxknitterati) on

And here’s your nine seconds of Aaaaaaaahhhhhhhhh. Looking forward to the 15th annual Crafty Moms Weekend next year!

Book Review: In Search of the World’s Finest Wools

What’s your favorite luxury fiber? Cashmere? Qiviut? Taewit? What?

I received a review copy of this beautiful book, In Search of the World’s Finest Wools by Dominic Dormeuil, photography by Jean-Baptiste Rabouan. It’s a tribute to the growers and producers of the world’s finest fibers. Dormeuil is the Chairman of the House of Dormeuil, a fabric house that was founded in 1842.

My first instinct was to page through the book, just to enjoy the stunningly beautiful pictures. We are treated to travel through Greenland, Mongolia, Kyrgyzstan, Ladakh, Scotland, Australia and New Zealand, South Africa, and Peru.

I knew Qiviut came from the arctic musk ox, but what does that really mean? I didn’t realize that the musk oxen in Alaska came there via a 1954 breeding and conservation program in Canada and Alaska. I’d heard the romantic tales of plucking the tufts of fiber from the shrubbery that the musk oxen rub against in an effort to shed their double fleece in the spring.

What I didn’t know is that there are wild musk ox in the Kangerlussaq tundra of Greenland, which was the focus of the qiviut chapter. There, the musk ox are hunted as game for food, and the the fiber brings additional revenue to the hunters. (The climate does not support agriculture.) Before the opening of a wool production workshop in 1997, the skins were discarded; now there are several workshops that process the skins for the wool. Food and luxury fiber from the same animals, excellent.

The book focuses on eight luxury fibers. Two come from wild sources (qiviut and vicuña), and six from domesticated animals: two from sheep (Shetland and Merino), and four(!) from goats (cashmere, pashmina, taewit, mohair). I’m especially in awe of the goats; the luxury of their fiber is a direct result of the inhospitable climate in which these small hardy animals live.

The existence of these luxury fibers is dependent on a way of life that is threatened by industrial progress. The book is a beautiful celebration of both the animals and the people who bring us their wool.

Shetland Sheep with moorit bronget markings
We’re more familiar with sheep’s wool, such as this Shetland sheep of Scotland,

and this half shorn merino sheep in Tasmania.

The book closes with a chapter on the vicuña of Peru. Vicuña were hunted almost to extinction in the 1960’s, and have made a tremendous comeback due to a protection program initiated by the Peruvian government, and newer techniques for shearing without killing. The wild vicuña featured in this chapter are protected, and gently corralled for shearing via a 300 person human chain. How nice is that?

From wild to nomadic to farms to wild again, this book is a beautiful celebration of the source of the luxury fibers of the world. I enjoyed the visual tour, and learning about the people and the animals. I highly recommend it!

A teaser: Have you heard of Taewit goat wool from Kyrgyzstan? I hadn’t. It’s most likely a cross between the Kyrgyz goat and the Orenburg cashmere goat. I’ll let you imagine just how wonderful that must be.

I received this book in exchange for review. All opinions about it are my own. All pictures are my photographs of the book, so they’re not as nice as the book! Thank you to Firefly Books for the opportunity.

Scenes from a Yarn Crawl

Another Rose City Yarn Crawl is in the rear view mirror. I had a great time, even though I didn’t make it to all 13 shops.

I started out at For Yarn’s Sake on Thursday in a group trunk show with Lorajean Kelley of Knitted Wit, and designers Shannon Squire and Debbi Stone. Such a great way to kick off the crawl. A big thank you to Anne Lindquist for having us!

Marlene and Terri came by to show off their Tilt Shift Wrap and Fern Shawlette.

Leigh Anne wore her Fibonacci and Fan, knit with Knitted Wit’s Cedar and Snowy Cedar in Victory Sock.

Tami and I compared our Braided Wristlets.

And Sunday came by with her heavily modified RCYCMKAL cowl that matched her hair. Cool!

I made it to 3 shops on Friday: Twisted, Close Knit, and The Naked Sheep.

JaMPDX and Knitted Wit had a trunk show in the Twisted Annex, across the street from the shop. This space is also Twisted’s classroom space, where I teach.

The Knitted Wit wall in the shop was quite the rainbow.

At Close Knit, I swooned over colors with Sarah Kurth of Bumblebirch. Plotting and planning!

And I checked out Lisa Carney-Fenton’s clever designs that hide yarn ends inside an i-cord edging.

The pompom window at The Naked Sheep!

Sharon Spence of Stitch Jones showed me her new merino/silk worsted weight single ply. Scrumptious.

I visited two shops on Saturday: Wool ‘n’ Wares and Northwest Wools. I’d say I was slowing down, but there was a lot going on at Wool ‘n’ Wares!

The theme of this year’s yarn crawl was Portland Pastimes. And raising chickens in your yard is one of those pastimes. I loved the feathers on this partridge cochin hen.

There were five trunk shows inside Wool ‘n’ Wares, including Hula Hut Yarns (Cathei Baynes)

Scarlet Tang of Huckleberry Knits (love this Mithril and Bigger on the Inside combo)

Sivia Harding with her latest shawl design, which uses beads with several different shapes/finishes.

Not pictured: Miss Purl (I did buy her stitch markers and cute tin, picture later in post), Carl Herndon Woodworking (I love his seam rippers and his tabletop swifts), and the Aurora Colony Handspinners Guild. Full house!

Fellow Pie Bird (singing buddy) Claudia was working at Northwest Wools, so we had a quick catch up. She tried on my new SeaScape Scarflette, and it looked smashing on her.

On Sunday I went back to For Yarn’s Sake for Sincere Sheep’s (Brook Sinnes) trunk show. I fell in love with her new silk/merino lace weight. The blue (St. Bart’s) called my name, very loudly, and then the green followed.

I put it all together with this gray Cormo, but now that I have it home, I realize that I forgot to check for tonal contrast. I blame the yarn fumes. I think the wonder fluff needs something either darker or lighter; this gray is too close.

No worries; for now I just like looking at the glowing colors.

I finished my crawling at the Knitting Bee, but I forgot to take a picture!

Here’s most of what came home with me. Biscuit approves.

Yarns from Sincere Sheep, Hazel Knits, Knitted Wit; lidded pint glass from JaMPDX, Dumpling bag from Binkwaffle (my third!), stitch markers from Miss Purl, and more needles and locking stitch markers. Wait, more project bags and needles? Yes, this normally monogamous knitter has more design projects than usual, which means I need more tools to corral them.

Next year’s Rose City Yarn Crawl will be March 1-4, 2018. Mark your calendars!

In other news, I’ve picked a winner for the Rain Chain Shawlette giveaway. Friday V will get a pdf copy of the Little Luxuries e-book, and 2 balls of Knit Picks Gloss Fingering in Clover. Congratulations, Friday!

Introducing: SeaScape Scarflette

Introducing my SeaScape Scarflette, a summery accessory knit in sport weight linen. Is it a scarf? A shawlette? You decide.

SeaScape long

This long narrow asymmetric triangle features a lacy edge inspired by the curl of the waves off Maui.

SeaScape

It can be worn long, loosely knotted, double wrapped…so many ways to add a little pizazz to your outfit.

Euroflax minis

The scarflette was inspired by a set of Euroflax Sport linen mini-skeins from Mason-Dixon Knitting. As soon as I saw this color set, I knew what it wanted to be. I took it to Maui in December and worked out the design while enjoying the view of Molokai from the lanai.

Euroflax minis in mason jarHand winding the balls three times made the yarn softer!

Linen gives this fabric a lovely hand and sheen. I highly recommend it! With mini-skeins, part of the fun is deciding in what order to use your colors. The longest, narrowest section is at the beginning, and features the most waves. The last section is short and wide, and features the bubbly eyelet pattern.

SeaScape 1

My first sample had pale green at the far end; the design sample has the mid-gray. I took the sample to Nashville to meet Mason-Dixon Knitting’s Ann Shayne, and she called it “deliriously pretty.” Thrilling!

SeaScape

The mini-skein set has 325 yards. You could also knit this with a single skein of Euroflax Sport, which is 270 yards. (I used about 300 yards of the minis, due to placement of color joins.) Test knitter Sarah Peery used Juniper Moon Farm ZOOEY, a 60/40 Cotton/Linen blend. It also blocked beautifully.

seascape-sarah-cropSarah’s SeaScape before blocking, photo by Sarah Peery

The pattern is available through Ravelry; the pattern page is here. It’s 10% off through March 10, no coupon code needed. If you’re on my mailing list, you’ll receive a coupon code for 20% off. Want to join the list? Let me know in the comments.

More linen minis

I’ve fallen in love with linen, so there’s another linen mini-skeins design in progress. Come see a sneak peek; I’ll have the SeaScape Scarves and the new project with me at my trunk show at For Yarn’s Sake on Thursday, March 2 for the Rose City Yarn Crawl!

Madrona 2017 bliss

Another Madrona Fiber Arts Festival has come and gone. As usual, it was wonderful. This is a picture heavy post, and the pictures are only barely edited, but I want to get this out before I jump into the Rose City Yarn Crawl, which starts on Thursday! I’ll be at For Yarn’s Sake all day Thursday sharing a trunk show with indie dyer Lorajean Kelley of Knitted Wit and designers Debbi Stone and Shannon Squire. Come say hi!

I took two classes at Madrona this year, and they were oddly related. The first was double knitting with Lucy Neatby. Double knitting involves working a double sided fabric that can look different on each side. The result is a squishy thick warm fabric.

double knitting sample

We worked this sample in the round. On the left you can see the front and back sides of the outside of my circular knitting. On the right is the inside, which in this case is a mirror image of the outside that’s shown on the left. But it doesn’t have to be, as you can see from the lower edge. We started with some ribbing, then moved into double knitting with one color (the white) on the inside and outside, and then moved to two colors. A logical progression.

Here’s an example of one of Lucy’s pieces; the inside and the outside aren’t exact mirror images. Her color choices are exquisite, too.

Lucy Neatby piece side A

Lucy Neatby piece side B

One side thing that was interesting was exploring how conventional purl stitches take more yarn than knit stitches, because the yarn travels diagonally across the needle instead of parallel to it. (Pythagorean theorem, hypotenuse!) This could cause your inside and outside fabrics to grow at different rates. In this case, using the Eastern combined knitting style would give a more even fabric and no “rowing out” on the purl rows. That makes sense.

But you could also purposely make the inside and outside fabrics grow at different rates; you can do more rows on one or the other and come up with some interesting corrugation. I’m looking forward to exploring that more, later. Thanks to Lucy for a really fun and thought provoking class!

Lucy Neatby

The second class I took was brioche knitting with JC Briar. I’vve been meaning to try brioche for over a year, and signing up for a class meant that I was really going to do it!

Brioche knitting

Brioche is also two sided knitting, and really squishy. This is the front and back of my class piece. We started out with single color brioche, and then moved on to two color brioche. I had tried single color brioche earlier this year, so that part was easy.

Adding a second color meant thinking a lot harder! When worked flat, it means working each row twice, first with one color, and then the other. You always start with color A when both yarns are at the same end. If they’re not at the same end, you need to catch up color B to color A. I found that it was easier for me to read my knitting than to read the written instructions. I hope that doesn’t come back to bite me later!

The addition of increases and decreases (which must be done two at a time) makes gorgeously striking patterns in brioche. You can see from my class sample that I barely started them, but they’re working. They really cause the width to suck in!

JC’s handout shows what standard charting looks like; it’s not well suited for brioche. She also charted the classwork with her non-grid Stitch Maps system, which made it clear which stitches flowed into which stitches. It’s not really set up for brioche yet, but it was very helpful for class. Registration to use Stitch Maps is free, and a basic subscription is only $15/year, so I’m going to go ahead and sign up. I do love charts, and this could be a very helpful next step.

JC Briar brioche scarf

This scarf pattern is in our handout, and I’ll be working at least part of it to try to perfect my 2 color brioche technique. I enjoyed this class, and just wish it had been an hour longer! Or all day…

Elongated stitches

Novelty stitch class

I also taught three classes at Madrona. My students were all great; they came well prepared and eager to learn. Rock stars! I taught a class on one of my favorite knitting techniques, knitting with elongated novelty stitches. We knit up this little sampler in class, using double and triple wrapped stitches and manipulating them into interesting patterns. These little gems can really dress up your stockinette!

Tridacna class

I taught a mini-class on the novelty stitch in my Tridacna Cowl.

Katey's Tridacna

Katey showed me her completed edging the next day. Nice work!

Blocking class

And I taught my blocking mini-class again. I love this class because it gets hands on, and really makes a case for blocking! (Photo by Gail Wasberg)

But Madrona isn’t just classes. There’s hang out time with other knitters/crocheters/spinners all over the hotel, and there are free demonstrations and workshops in the rotunda. The teacher talent show for charity helped raise over $12,000. And the market…

market finds

I came home with two treasures. The first is a little dish from Charan Sachar of Creative with Clay. He makes beautiful things, and I couldn’t resist. His vases and mugs are also whimsically lovely, like little cardigans complete with buttons.

The second treasure is a skein of red yarn from Abstract Fiber. I compared this red across four yarn bases, and the gray undertone of the yak base made this Lotus fingering (20/60/20 Yak/SW Merino/Silk) an even more perfect match for my red boots. I’m knitting another Zephyr because my sister really wants one!

Red Zephyr and boots

Spinning lesson

Carla McCoy from Pocket Wheels is a great spinning teacher. This is post-banquet; Anne Berk (Annetarsia) is getting her first treadling lesson. I’ve only spun on a drop spindle; I figured Anne could try this out. But the next day I tried it in the Pocket Wheel booth, and suddenly I was making yarn. So cool! And the little wheel fits in a tote bag.

Untangling

Madrona is a place where complete strangers help untangle each other’s yarn. This did get resolved, in about 20 minutes. Miraculous. The yarn was actually left over from these slippers, designed by Mary Scott Huff and worn by the happy knitter.

Mary Scott Huff slippers

I found that Sally Melville has a love for boots too. Check these out:

Boots on the ground at Madrona

I’m going to close this post with more pictures to tide you over until next year. See you at Madrona?

Franklin Habit is ninja photo bomberFranklin Habit as photo bomber. Kilroy?

Canon Hand DyesCanon Hand Dyes booth

Galina KhmelevaWhen Galina comes over to help you choose your tahkli spindle. “This one dances too much!” With Pamela Grossman and Dusty the wonder pup.

Weaving shuttlesWeaving shuttles by Joel Grinstead

Turkish spindleAnd Turkish spindles, too

Creative with ClayCreative with Clay

young scotsmanYoung Scotsman with hand knit kilt hose

Madrona Rainier sunriseRainier at sunrise

New: Rain Chain Shawlette, ebook and yarn for you?

Back from Madrona, but it’s going to take a few days to be ready to properly blog about it. In the meantime, here’s something I’ve been wanting to tell you about for months!

Rain Chain Shawlette KP

I’ve been dying to wear this new piece for the last year, but I had to wait until it was published this month. This is my Rain Chain Shawlette.

Rain Chain Shawlette KP2

The shawlette is a sideways crescent triangle, one of my favorite shapes. It features a rain chain detail at the top edge, and spring flowers on the lower edge.

Rain Chain Shawlette in Velveteen

My prototype version features beads that look like raindrops both in the rain chains and in the flowers and edging, to add sparkle and drape. Instructions for bead placement are in the patttern.

Rain Chain Shawlette bead detail

The Rain Chain Shawlette is knit with Knit Picks Gloss Fingering, a 70/30 blend of merino wool and silk. The silk gives it a drape and a bit of a shine. This shawlette is in the new Knit Picks book, Little Luxuries, which is available as a physical book, and also as an e-book. The single pattern is also available from Knit Picks.

I”ve enjoyed looking through the book that just arrived; it includes 23 patterns for beautiful accessories such as shawls, cowls, hats, and mitts. All patterns use less than 100g of yarn.

I’m giving away a pdf copy of the Little Luxuries e-book, and 2 balls (100g total) of Gloss Fingering in the winner’s choice of color. Leave a comment and let me know which color you want to knit your Rain Chain Shawlette; color choices are here. I’ll pick a winner on Monday, February 27.

Rain Chain Shawlette gradient

The prototype before the prototype was knit with an end to end gradient from Alexandra’s Crafts.

Fibonacci and Fan

And now finally! The winner of Knitted Wit Victory Sock yarns to knit Fibonacci and Fan is Rhea Kohlman. Her pick? Snowy Woods, which is the color that launched the entire snowy line. Good choice! Rhea, I’m emailing you to get your addy.

So many things to knit! So many things to blog. Back soon, I promise.

Do you read while you knit?

Are you a monogamous knitter, or do you like to have many projects going? I usually have two projects, or three at the most.

More linein minisNext on the needles

I like to have one thinking project, which is usually a design project. I have to work on it at home in peace and quiet, and there’s a lot of ripping and re-knitting as I figure things out. It helps to take good notes!

Red ZephyrJust off the needles, a multi-tasking dream

And I like to have one project that is good for multi-tasking, where I can read, watch TV, or chat at knit nite. Usually the design project becomes a multi-tasking project, after the kinks get worked out and then it’s easy knitting all the way. I like to design things that are good for multi-tasking or meditative knitting, where you don’t have to be tied to the instructions for every stitch or row. This is the kind of knitting I like best.

I read a lot of blogs while knitting, and I like to read on my Kindle. I prefer Kindle to physical books, because it lies flat, and I just have to tap or swipe to turn the page. The last time I read a physical book, I tapped the page and nothing happened!

Burials

I’ve been enjoying Mary Anna Evans’ Faye Longchamp mysteries for many years now. I just had the pleasure of reading an advance review copy of Burials, her latest which is coming out on March 7. Faye Longchamp is the scrappy protagonist. Originally from Florida and the descendant of a slave, she’s a smart archaeologist who is something of a murder magnet. She and her hunky husband Joe are always involved in discovering who did it, and how. We learn about archaeological procedure along the way. I was sorry to get to the moment where the murderer was revealed, because I didn’t want the book to end. Fortunately, I’ve just pre-ordered the Kindle edition so I can read it again in my preferred format. Why buy a book I’ve already read? It’s only $6.99, less than 2 cups of fancy coffee, and I’ll catch all the things I missed when I was reading the pdf on my iPad. If you’re looking for a smart, fun read, try this one. The book works as a stand alone story, you don’t have to start at the beginning of the series. But if you want the backstory later, or you want to start at the beginning, Artifacts, the first book in the series, is only 99 cents for the Kindle edition. And on iTunes, it’s free, at least for now. I’d be envious, though, because you’d get to see the character development of my lovely friend Faye. (She seems real to me!)

In the notes at the end of Burials, the author talks about the Spiro Mounds in Oklahoma, the setting for the novel. This Native American historical site dates back to 1400 AD. Some of the finds there include cups, pottery, tools, and textiles. Of particular interest is a bit of lace. Click here to see a picture and learn more about this lace. I had not associated lace with Native American culture, so this was fascinating to me. Can you imagine someone finding a piece of your knitting 600 years from now? What would they make of it? Would they think it was mainstream, or something special for ceremonial purposes?

OK, off to bed. I’m at Madrona, and teaching tomorrow. Blocking first!

Rosaria edge detail

Good night!

Sweater: Top down or bottom up?

Saw this on IG and had to share so I can come back to it and remember.

Nancy Ricci is knitting a sweater that is written to be knit from the bottom up, but she prefers top down. So she started with sleeves and a provisional cast on for the body, worked the yoke, and is now in full control of the placement of waist shaping and overall length.

I think I’d take it one step further. Use a provisional cast on for the upper sleeve, and then you’ll have full control over sleeve length, too. Karen Templer of Fringe Association wrote about it in her post here.

Brilliant plus brilliant equals 2xBrilliant! Or is that Brilliant squared?

Stopover collage

I’d mash all this up for the next sweater. Unless it’s a third Stopover. After knitting two, I already know the length and shaping. Yes, I’m still thinking about a third one (charcoal gray with a rainbow color pops), but it wouldn’t happen until fall, if at all. Spring is just around the corner, and there are visions of shawlettes dancing in my head!

Would you go to these lengths to get your sweater just right?