Tag Archives: Mary Scott Huff

Eeek! Steeks!

Back in 2012, I took a steeking class with Mary Scott Huff at Columbia Gorge Fiber Festival (blog post here). It was fabulously fun, and I learned 3 ways to secure my steek. My favorite was the crocheted steek, so that’s what I use. I’ve been thinking of ways to fine tune them, though, so I decided to sit in on Mary’s class yesterday morning via Bazaar Girls Yarn Shop. It did not disappoint.

Top picture, going around from right to left: One full stitch in the center with slip stitch crochet reinforcement through the two stitches on each side of it; half of each center stitch reinforced with slip stitch crochet through the stitch next to it; and half of each center stitch reinforced with single crochet to the stitch next to it.

Bottom pictures are a closeup of the single crochet reinforcement going through half of the center stitch and half of the stitch on each side.

Here’s what I found: Leaving a whole stitch in the center means messier ends. But it also means security. I’m a belt and suspender kind of knitter, I want to make sure things won’t fall apart. Today’s exercise showed me that it won’t fall apart. Probably. Heh. There are many ways to secure a steek, and none of them are wrong if you get the result you want! I’ve seen a one stitch steek on an Icelandic sweater, and I’m too chicken to try it.

What I was really wondering about was the bulkiness of my crocheted steek, since I’ve been working with worsted weight yarn. Best answer? Use a lighter weight yarn to crochet the reinforcement, like I did with these swatches. If I pick a coordinating color, single crochet makes a lovely finished edge without any more fuss (bottom 3 pictures on collage above). If I’m trying to minimize bulk, like maybe behind a zipper, slip stitch crochet works well. Picking up a ribbing or other edging in the column of stitches a couple stitches away from the cut edge forces it to turn back, like a seam allowance, and all the ends are hidden either way.

But enough about my crochet steek fussiness. Here’s a new one (I had previously read about it in Modern Daily Knitting). A needle felted steek! Look at this: all business on the front…

Fuzzy party in the back! It holds beautifully. I’d probably want to do something to make that edge look more finished, though.

What a fun way to spend a morning! But now it’s on to other tasks…still knitting away on the log cabin wrap; I have 4 more logs to knit, and then I’m done. Tech editing is done, too. I’ll check in with my test knitters, but look for it mid-April.

Onward!

Astoria StitchFest: Check!

Last weekend’s first ever Astoria StitchFest was a delight. It was a small event, but very nice. The weekend began with a delightful Stitch Feast at the Baked Alaska, right on the river. We had a little show-and-tell fashion show after dinner.

The classes were held in the light and bright rooms above the Liberty Theater, across from the historic Hotel Elliott. Mary Scott Huff and I taught knitting, and Laurinda Reddig taught crochet. I taught Cast On Bind Off, Slip Stitch Cowl Design, and Blocking: It’s Magic. I think everyone went home with new skills.

blocking with pdxknitterati

I had a free afternoon, so I sat in on Mary Scott Huff’s Sassy Selbuvotter class. She is a fabulous teacher, and also fun to hang out with! Here’s the beginning of my mitten.

selbuvotter

Classic Selbuvotter (mittens in the traditional style of the town of Selbu, Norway) have a gusset thumb, but these sassy mitts will only have a slot thumb. I was curious about Norwegian mittens, because I had knit these many years ago.

selbu mitten

These are the Selbu Mittens from Folk Mittens by Marcia Lewandowski. The have a fake gusset (no increases, just patterning to look like a gusset) and a slot thumb. They’re kind of a mix of thumb techniques. My next Selbuvotter will have a traditional, real thumb gusset, because I like the way they fit!

Astoria sits at the confluence of the Columbia River and the Pacific Ocean. It’s a fun mix of the old and the new. I didn’t have a lot of time to explore, but I popped on down to Coffee Girl for lunch on Saturday because my singing buddy Claudia loves it, and used to sing there.

image

I didn’t realize that Coffee Girl is right on a pier that houses the West’s oldest cannery building.

bumble bee logo

I worked at a salmon cannery on Kodiak Island for five summers to pay for college. We even canned for Bumble Bee. This brought back all sorts of memories.

cannery workers

We didn’t look quite like this, but aprons, hair nets, and steel toed rubber boots were the uniform!

pier 39 astoria

Canneries were a big part of Astoria’s history. Even the waste baskets on the streets downtown acknowledge this.

astoria

Mary and I had rooms at the Grandview Bed & Breakfast, a very interesting Victorian house. My room was breathtakingly gorgeous, with lace draperies around the bed, and at the entrance to my sitting room

grandview b & b

which was a great place to relax.

Grandview b&b

The sitting room had a view of the Columbia River, and the bridge that crosses to Washington.

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Many thanks to Bonnie Lively and LeAnn Meyer, the organizers of Astoria StitchFest. I had a fabulous time, and hope that all the participants did, too. I’d love to do this again next year, and you should come, too!

BOLO

Be on the lookout…

for a suitcase full of lovely knitwear. Local designer Mary Scott Huff’s car was broken into here in Portland, and her knitted garments for her trunk show were stolen. You can read her letter to the thief, hoping against hope that these knits will be returned to her.

msh cover

I hope she gets them back. That’s six months of intensive knitting, gone in a blink.