Posted onSeptember 2, 2024|Comments Off on Fall classes, virtual and live
I’m teaching for Vogue Knitting for the September virtual event September 13-15, and live in New York City January 16-19. Who says you can’t have it both ways?
Whale Conga Line, modeled by my sister Sharon
I’m teaching Brioche Doctor (fixing mistakes), Whale Conga Line (brioche increases, decreases, syncopation), and Brioche Pastiche (beginning brioche, choose your own adventure). And of course there are a lot of other teachers offering classes in nearly every fibery thing you can think of, too! Registration is here.
Vogue Knitting Live NYC is January 16-19. I’m teaching Whale Conga Line, my only brioche class at that event. I’m also teaching a whole bunch of technique driven classes: Log cabin knitting, steeking, fixing mistakes, entrelac, fancy stitches. Early registration for VIP packages starts later this week, and regular registration will come after that. The registration link is here.
I’m also teaching locally at For Yarn’s Sake in Beaverton, Oregon, and at Hook and Needle in Vancouver Washington. Here’s the schedule:
Sheepy Steeky Coasters at Hook and Needle, Sept. 28 Brioche Pastiche at For Yarn’s Sake, Sept 29 Brioche Pastiche at Hook and Needle, Oct. 19 Stranded Colorwork: Islesburgh Toorie at For Yarn’s Sake, Oct. 20 Thrumbelina Thrummed Slippers at For Yarn’s Sake, Nov. 17 Starfall Assigned Pooling Cowl Zoom class via For Yarn’s Sake, Dec. 7
I took a little road trip down to Albany, Oregon on Saturday to visit Black Sheep Gathering. This year is the 50th year of this fiber festival, but it was my first time ever. I wanted to take a class with Galina Khmeleva, master lace knitter. We’ve been at many of the same festivals, but I’m usually teaching instead of taking classes. This was my chance!
Orenburg lace is knit with 10 different motifs, combined in many ways. It’s usually on a garter stitch background. Some motifs have patterning only on the right side rows, and some have patterning on both right and wrong side rows. All the stitches are either knit, yo, k2tog, or k3tog. There’s no directionality to the decreases; the work is so fine that it really doesn’t show.
We didn’t have time to knit through all the motifs, but the magic is really in the combining. We knit our swatch samplers with Jaggerspun Zephyr, a laceweight blend of wool and silk, 1120 yards/100g. Skinny, but not hard to knit with. I knit my swatch on US 2 needles, and I loved the stitch definition.
Handouts!
Galina gave us enough handouts to keep us busy for years to come. And she regaled us with many stories of the history of Orenburg lace, and more.
Orenburg shawl
Gossamer web, indeed!
Orenburg warm shawl
The Warm Shawl is a heavier version of Orenburg lace. Simpler patterning, but it’s not really that heavy, either. It’s knit in pieces and grafted together with a special grafting method, which was the subject of the next day’s class. Alas, I was not staying over.
I did visit with the sheep in the barn, and also viewed the fiber work exhibits.
Sorpresa, a Valais Blacknose sheep
Look at this beautiful wool! This is Sorpresa, a Valais Blacknose sheep from Honey Hoof Ranch.
Even horns are beautiful.
There was a sheep to shawl exhibit from 9 am to 2 pm.
Carding, spinning, plyingWeaving!
And the fiber work exhibits were beautiful.
This shawl by Lucy Swift was my favorite piece in the exhibits.
All right, back to knitting! I’m knitting another sample of the leafy brioche cowl now that I have it figured out. I need to decide if I want to publish an assigned pooling/algorithmic knitting version in addition to the regular one. More on that later…
I’m teaching a weekend workshop at Sitka Center for Art and Ecology August 10-11 on the Oregon Coast. The setting is lovely, nestled among the trees on a slice of land on Cascade Head near Lincoln City.
This knitting workshop offers several ways to make your plain knitting fancy! Drawing inspiration from nature, we’ll start with elongated fancy stitches that evoke the beauty of flowers, stars, butterflies, and bees.
Moving forward, we’ll delve into the art of color pooling, a hot technique that is the current darling of indie dyers.
To add a finishing touch, we’ll learn herringbone and other braids to elevate our knits to new heights. Join us for a creative journey where you’ll learn to infuse flair into your knitting, turning the ordinary into the extraordinary.
Sound fun? Register here. The workshop fees are for the workshop only; you’ll need to book lodging of your choice. It’s a wonderful relaxing weekend away. I taught a brioche workshop here last year, see that post for a taste of the experience.
Rose City Yarn Crawl is just around the corner! We celebrate our yarn shops in the Portland metro area with a 4 day extravaganza. There are 8 shops on the crawl, and I hope to visit all of them. I’m hoping to at least visit the two I’ve never seen. One is Knotty Lamb in Forest Grove (a ways out), and the other is Ritual Dyes in inner SE Portland.
I’ll be having a trunk show at For Yarn’s Sake from 10 am to 3 pm, along with designer Shannon Squire and dyer Lorajean Kelley (Knitted Wit). I’ll bring all my designs since the last crawl, including my newest design (coming out Monday, February 26), Prosecco Pop! I’ll also have copies of Brioche Knit Love to sign, if you still need one.
Prosecco Pop
Prosecco Pop features Knitted Wit’s Summer Slubbing fingering weight yarn. The slubby goodness shines in this easy to knit shawlette. Come see us at For Yarn’s Sake on March 7 to get your hands on this fun yarn; we’ll have it there for the trunk show.
Brioche Pastiche
Also in March at For Yarn’s Sake, I’m teaching Brioche Pastiche. This choose your own adventure class starts with learning 2 color brioche in the round. You can add increases and decreases when you feel ready; the class pattern lets you choose headband, hat, or cowl, plain or leafy. This class is 2.5 hours in person, March 24, 2-4:30 pm, register here.
Whale Conga Line and Tink Drop Frog
Not local? I’m teaching Whale Conga Line (brioche increases and decreases, and syncopated brioche) and Tink Drop Frog (fixing mistakes) for Virtual Vogue Knitting Online on March 15 & 16. These classes are recorded and available for 2 weeks after the class, so you always have the best seat in the house…YOUR house!
In person local classes
Rounding out the spring, I’m teaching Tink Drop Frog April 20 and Sheepy Steeky Coasters May 18 at For Yarn’s Sake (class listings soon) and Petite Brioche April 13 and Whale Conga Line May 25 at Hook and Needle in Vancouver WA (right across the bridge).
I love teaching, and would love to help you take your knitting to the next level!
I had a great time at Red Alder Fiber Arts Retreat. I taught 4 classes, took 2 classes, and learned a lot from all of it! I was pretty brioche- and pooling- centric for all of it.
Let’s talk stitch mounts!
With conventional western style knitting, the right leg is on the front of the needle. This is true for both English throwing and continental picking methods. Both stitches are worked through the front loop, and the yarn wraps counterclockwise around the needle.
With eastern combined knitting (usually continental, yarn in left hand), the knits are formed conventionally, and the purls are wrapped/caught clockwise, resulting in the purl stitches mounted with the left leg on the front of the needle. For knitting in the round, the purl stitches would need to be purled through the back loop so the bottom of the previous stitch isn’t twisted. If knitting flat, the back of the purl stitch is a knit stitch, and it would need to be knit through the back loop to untwist the stitch.
Amanda in my beginning brioche class is a continental Eastern Uncrossed knitter. This means that she makes her all of her stitches with the yarn going clockwise around the needle (both knits and purls), which results in the left legs of all her stitches mounted on the front of her needle.
It took a little thinking, but we figured it out, and I made a video for 2 color Eastern Uncrossed brioche in the round.
Eastern Uncrossed brioche rib in the round
That helps me teach, and that helps knitters not have to change their knitting style when learning brioche. Win-win! Now I’m thinking about eastern combined knitting in the round; there are a couple ways to think about that purl stitch. I’m saving that for another day.
Color Blocked Brioche
I took 2 classes from Xandy Peters. The first was Color Blocked Brioche. If he had named it Brioche Intarsia, would I have signed up? Probably not! But color blocked intarsia in brioche is fun. Food for design thought.
The other class was Stitch by Color. I didn’t bring the right yarn for this; my yarn just has one pop color, and sprinkles (not enough) of other colors. I’ve been on the pooling train for a year, and that’s the way I was thinking. What I really should have brought is a space dyed yarn that has longer stretches of several colors. Then I could pull out one color to accentuate, or eliminate (by concentrating it on the wrong side of the work). Here’s an example from Xandy.
Stitch by color!
All of these colors are in the yarn; the pink and red you see on the left edge of the work are emphasized on the wrong side behind the yellow and gray, and vice versa. A great way to accentuate what you like, or hide what you don’t like! We learned some fun pooling stitches, too.
I helped my classmate recreate her dye skein so she could see where the color repeats were made.
Mt Rainier sunrise
That’s the teaching/learning part of the wrap up. There’s still the shopping! I came home with a few treasures. Still trying to catch up from Red Alder AND VKLive NYC!
Knitted Wit Summer Slubbing, Sakura and Unicorn Dreams
As I said in a previous post, I took this yarn with me on vacation. I was originally planning a 2 color top down crescent shawl.
Sunset slubbing, color not true
Well, I did the math and swatched the stitch patterns I wanted to use, and tried a couple needle sizes. Then I cast on. And I decided…that my design required too much counting and thinking. I was on vacation! Also, I had swatched with the pink yarn, and the stitch patterns didn’t show as much as I wanted them to in the variegated yarn. I love the variegated version (Unicorn Dreams). Summer Slubbing wants to be an easy-going knit. Nothing complicated.
So I frogged it and started over. The knitting is now plain enough that this nubbly, bubbly yarn is the star of the show. This will be a single skein asymmetric triangle, knit on the bias. Shawl? Scarf? We’ll see how big it is when we get to the end of the skein!
Do over!
I like how it’s going so far. My yarn scale tells me I am close to finished; I just have to decide what I want the end to look like. Sometimes that’s the hardest part.
You’ll learn to create simple shawl shapes in class. From there you’ll get pointers on how to apply stitch patterns and design your own shawls. Registration for Red Alder is here. This is a good time to let you know that pre-registration for Red Alder (and other events) is important! Classes get canceled if registrations are low. Next week is the cut week for Red Alder. My shawl shapes class could use a few more knitters, so if you’re interested please register. I blogged the list of my classes here.
I just realized that I never told you that registration is open for Red Alder Fiber Arts Retreat! I was away in the woods near Mount Hood when registration opened, and meant to blog when I returned. Oops.
The retreat is February 15-18 in Tacoma Washington. It’s a lovely event at the Hotel Murano.
Starfall Cowl
I’m teaching Assigned Pooling using my Starfall Cowl as a backdrop for several bonus pooling stitches,
Favorite Shawl Shapes
Favorite Shawl Shapes (learn the construction of basic shapes and use them to design your own shawls),
Aspen Leaf Coasters
Aspen Leaf Coasters (intro to brioche increases and decreases, and knitting brioche flat),
Brioche Pastiche
and Brioche Pastiche (beginning brioche in the round and a little more: choose your own adventure hat or cowl, plain rib or fancy increases and decreases).
I also signed up to take Xandy Peters’ Color Blocked Brioche class. I love seeing what other designers are thinking about brioche. Come knit/spin/weave with us in Tacoma!
Alder?
A leaf (maybe alder) on the railing of the bridge over the creek, in the woods that I mentioned before…
The marketplace at Oregon Flock and Fiber Festival opens on Saturday. Friday is a quiet day, just classes and a lot of setup.
Some of the steekers
You have to make your own excitement, and we did that in the morning by reinforcing and cutting steeks, eek! (And I see that my students are suggestible, using the same colors I did in the Sheepy Steeky Coasters pattern!)
We had the assigned pooling class in the afternoon, which is another kind of excitement. I think of these skill builders as party trick knitting.
On Saturday morning, there was a complete annular eclipse (95% of the sun blocked by the moon) right after class started. Unfortunately it was foggy AND cloudy in Albany, so we just saw gray sky. Five percent of the sun’s light is still a lot of light; we didn’t really see any difference, although Karen and I were ready with our eclipse glasses. Mine were leftover from the 2017 total eclipse.
We went back in for the Minerva Entrelac class. The party trick in entrelac (besides the entrelac), is knitting back backwards without turning your work. It’s a great skill to have when your rows are only 8 stitches long!
I didn’t have an afternoon class, so I made a quick tour through the market and the exhibits. (I had to get home to deal with some…stuff, so I didn’t get to visit the animals in the barn. Next time.)
Wanda Jenkins
Wanda called me over in the market to show me Ed’s newest spindles, the Merlin (left). It has 6 legs, and it’s magical. The smaller one on the right is so new that it’s still being worked out. Ed Jenkins makes the loveliest Turkish spindles.
My favorite pieces in this year’s Fiber Arts Exhibit were felted!
Wet Felt Raven #6 by Mady Wolsfeld
I love the raven, and the moody sky behind it.
Maisie’s Menagerie by Dana Nishimura
This piece took the Grand Champion Award. Here’s the description:
A lot of work and an impressive FO.
As I said, I didn’t have much time to spend, so that’s my abbreviated OFFF report for this year! Did you go? What did you love?
Over the past 4 years I’ve taught a lot on Zoom, and a little at select retreats and events. This past weekend, I taught in person at a local to me LYS, which is the first time since 2020. We had a good time with Petite Brioche! (I didn’t think to take a picture til after class, so not all 9 students are pictured, oops.)
Brioche Pastiche, Cap and Cowl
I’ve just listed the followup to that class at Hook and Needle Fiber. It’s on Sunday Nov. 5 at 1:30 pm. We’ll be using my Brioche Pastiche pattern for a gentle introduction to brioche increases and decreases. Register here. Come knit with me!
I’m teaching at Oregon Flock and Fiber Festival in Albany OR on Oct. 13 and 14. Friday’s classes are Sheepy Steeky Coasters (your first steek!) and Assigned Color Pooling. Minerva Entrelac Cowl is Saturday morning’s class, and we may take a break in the middle of that one for the annular solar eclipse. Bring your eclipse glasses!
Virtual VKLive October classes
Not local to me? I’m also teaching for Virtual Vogue Knitting Live Oct. 27-29. I’ll be teaching slip stitch knitting (Slip Away Cowl), Brioche Pastiche, and syncopated brioche (Syncopation Shawl or Scarf), and giving a lecture: Blocking: It’s Magic! Registration opens tomorrow; you can preview classes today. Scroll down to find the right event; there’s a lot going on including registration for January’s big show, VKLive NYC.
It’s shaping up to be a fun month! Are you knitting more, now that it’s fall? Or spring, depending where you are? I knit year round, but I feel like fall is the beginning of the year. Birthday, school year, a chilly great awakening. What’s on your knitting bucket list for learning this year?
(I don’t have the photoshop skills to make it look like this orca is leaping from the water behind DH, so I’ll just let you imagine that it’s happening, while he obliviously checks his social media accounts. It’s a running joke.)
Icy Strait Point is at the lower end of Glacier Bay; you pass by going in and out. There used to be a cannery there dating from 1912, run by the Hoonah tribe. The town of Hoonah is about a mile away. Icy Strait Point as a cruise port was built specifically for the cruise trade, and is only open when a cruise ship is in port. There are three restaurants and a gondola ride to a higher gondola for a zip line tour. And a cannery museum and gift shop (of course). I was particularly interested in seeing the cannery museum, so I could show DH just what it was I was doing way back when.
This photo felt nostalgically like cannery home…
Our cannery on Kodiak Island canned mostly red (sockeye) and pink (humpies!) salmon. I never knew what the fish looked like; I worked up in the egghouse processing and packing salmon roe to send to Japan. I could identify which kind of salmon the eggs came from, though! The chum/keta eggs were the biggest, and you could sample the brined eggs right off the conveyor belt.
There was no reference to salmon eggs in the cannery museum, so I had to be satisfied with the fish cannery displays.
After the salmon heads were removed by machine, pullers removed the egg/milt sacs, and then the slimers cleaned the inside of the fish (oh, the sliming knife…). The butchering machines were known as Iron Chinks, because they replaced Chinese workers at the beginning of the 20th century and made the canning work much faster. Yes, it’s an offensive term. That’s history. I heard it when I worked in the cannery, and we heard it referred to in a cannery documentary that we watched at a museum in Ketchikan.
18 year old me, in the egghouse
We (my friends and family) always called them lines: How many lines are we running today? We could process anywhere from 40,000 to 120,000 fish per day, given enough overtime. We made our money on overtime, and there was nowhere to spend it. The cannery was the only thing on Alitak Bay at the end of Kodiak Island; we arrived for the summer by seaplane from Kodiak, and lived in bunkhouses and were fed in mess halls. We made friends and had dance parties! I worked in the egghouse for five summers, and that’s how I paid for college.
Cleaning the fish (not real fish here!)Canning lineRetorts, or pressure cookersLabels display
It’s a very far leap from egghouse girl to knitting designer/teacher!
On to Sitka!
St Michael Cathedral
Sitka was the capital of the Russia’s Alaska colony from the 1700’s until 1867; it was called New Archangel. This building is a reconstruction of the original 1848 building which burned in 1966. Sitka is still the Seat of the Diocese of Alaska for the Russian Orthodox Church. This building is part of the Sitka National Historical Park, as is the Totem Trail we visited.
Bicentennial Pole
The Bicentennial Pole stands in front of the Visitors Center. It was carved by Duane Pasco, who won a contest to depict 200 years of Pacific Coast Indian cultural history. Read from the bottom up: The Native people before the arrival of Europeans, Raven and Eagle (the Tlingit moieties or clans), the arrival of Europeans (see the firearms?), and the top figure representing the Northwest Coast Indians of today.
History Pole depicting the first people to occupy the Sitka area.Cormorant Memorial-Mortuary Column
I thought this was a raven, but further research indicates that it’s most likely a cormorant. It’s a recarving by Tommy Joseph; the original pole was obtained in 1903 from a Tlingit village (that sounds ominously colonial, and it probably was).
We actually went the wrong way on the Totem Trail loop, so we didn’t see as many totem poles as we had planned to. But it took us to a footbridge over the Indian River, which was full of salmon headed upriver to spawn. Or perhaps they were spawning right there.
Helpful interpretive sign!
Walking to and from the Totem Trail, we saw salmon jumping in the water.
Back to the boat!
The VK knitters joined the Holland America knitters meet up in the art studio. This is on the 11th floor, off the Crow’s Nest lounge which looks out front.
The next day we visited Ketchikan, which was my favorite town. (Glacier Bay was my favorite stop overall.)
Creek Street, on Ketchikan Creek
I liked that you could see how the town had grown up on the creek, and that they have tried to preserve it. The green house is a preserved bordello, Dolly’s.
We saw salmon heading upstream, and a hungry seal planning its dinner.
I had a great visit at the yarn shop, Fabulous Fiber Arts and More. We also visited the Tongass Historical Museum, which showed Alaska’s history as a Native fish camp, mining hub, salmon canning capital, and timber town.
Can you tell that I like science, history, and museums? The National Parks app was a great help on my phone. Cruise ports are full of souvenir and jewelry shops, which don’t interest me. But I can figure out how to have a good time anyway!
We spent the rest of that day cruising to Victoria, British Columbia. We were in port from 8 to 11:30 pm, so we opted to stay on board and pack. The next day we spent at sea headed back to Seattle, so it was time for another knitting class. Ana and I swapped students, and we now have more brioche knitters, and Portuguese-style knitters too.
Knitting and looking for orcasDutch 75 (French 75 with Dutch gin and a sexy ORANGE twist)
This bit of brioche was my social knitting for the cruise. It’s not hard, basically brioche rib with just a little bit of thinking at the edge. It turns out this is just a swatch; I’m playing with a design idea and the rib needs shaping, and a different needle overall. But it was great to have on this cruise.
I really enjoyed this trip! I hope you enjoyed the travelogue. Onward!
Find my patterns on Ravelry: Michele Bernstein Designs
Here are some of my favorites, and the newest. Many of my designs are also available through my Payhip store.